Founded by Stefano Vaccara

Subscribe for only $6/Year
  • Login

Editor in Chief: Giampaolo Pioli

VNY La Voce di New York

The First Italian English Digital Daily in the US

English Editor: Grace Russo Bullaro

  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY
  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY La Voce di New York
No Result
View All Result
in
Arts
October 18, 2018
in
Arts
October 18, 2018
0

The US Press’ Infatuation with Mussolini: Mauro Canali’s Talk at Casa Italiana NYU

Legendary Italian historian Mauro Canali presents his newest book and takes us through the love story between the American press and Fascist Dictator Mussolini.

Angelo PennatibyAngelo Pennati
The US Press’ Infatuation with Mussolini: Mauro Canali’s Talk at Casa Italiana NYU

Mauro on stage, discussing Anne O'Hare McCormick's interactions with Mussolini.

Time: 4 mins read

Let’s pretend we took a random poll through New York City streets, asking random individuals for an opinion about fascism. How many would have anything positive to say? Most likely very few, if any at all. That is because in 2018, more than half a century away from the fall of the greatest fascist regimes in history, fascism is generally (and rightfully) regarded as an oppressive, philistine and backwards way of government. After being exposed to the unrelenting tide of history, this way of thinking about fascism is beyond justified, especially in the country so instrumental to preventing its expansion. However, the American-drawn picture of fascism has not always been painted with such negative strokes. In a valiant effort to show just how differently fascism was once depicted in the United States, Italian historian Mauro Canali held a brilliant talk at NYU’s Casa Italiana Zerilli-Marimò last night, shedding light on the disjointed portrait.

The cover of Mauro’s Book, “La Scoperta dell’Italia”.

The panel, presented by Casa Italiana Director Stefano Albertini and composed of Mr. Canali, History giant and NYU Italian Studies professor Ruth Ben-Ghiat, and illustrious journalist and Columbia professor Alexandre Stille, was arranged to discuss the implication of Canali’s latest book La Scoperta dell’Italia: Il fascismo raccontato dai corrispondenti americani, in english The Discovery of Italy: Fascism as told by American correspondents. The three panelists, in a refreshing mixture of english and Italian, take their captivated audience through the history of American coverage of Benito Mussolini’s ascent to power and regime. To begin with, Mauro himself depicts just how novel Mussolini was to American journalists, as a reality. At the wake of Italy’s red-scare spanning the end of the 1910’s and start of the 1920’s, journalists had previously been exposed to a country rampant with instability, and still recovering from the devastation brought on by the Great War. When Mussolini rose to power, American journalists “had very little reference” with which to analyze his initial policies. They were hence limited, by communist fear at home and lack of frame of reference abroad, to what they saw and experienced. What they saw, especially throughout the years that saw Mussolini transition from prime minister to dictator, was a country that, in the face of communism, adopted an alternative, more America-friendly political system that seemed to effectively address many of the issues that had caused such disorder years prior.

At first, then, as Mauro puts its “Mussolini was the man that fixed Italy while drawing it away from the evils of communism, providing an alternative that was extremely appreciable by American people and legislators alike”. What the panel (and audience) finds curious, is that the conception of Mussolini did not change nor did it tend towards negativity after his March on Rome. The march, perhaps the most pivotal event in rendering Mussolini the dictator we now remember him as, was, even in the eyes of illustrious correspondent Ida Tarbell, “what made Mussolini newsworthy”. His establishment as a dictator was considered, at first touch, a glistening achievement by American journalists: it asserted that systems more closely oriented to that of the United States could be effective, to the very extreme. As such, Mussolini quickly became a legend, even in the United States. He was, as the panel points out, the very first foreign head-of-state to appear on audible American television. Writers from all facets, like the New York Times’ own Anne O’Hare McCormick, sang his praises across the pond as he consolidated power. The trouble, claims Mauro, arose once that power was relatively consolidated and Mussolini tightened his control of the presses, maintaining a keen eye on American opinion.

In an effort to maintain American politicians and populations favorable, Mussolini engaged in clever games to distort journalists’ perception, and ultimately avoid any discrepancies between the image he wanted portrayed and that which they did. To do this, Mussolini went so far as to plant spies in all off the correspondents’ offices, opening exhaustive dossiers on all present foreign journalists. He eradicated them if they were found guilty of what he considered perjury, and monitored their every moment, such that they would only be exposed to what he wanted them to be exposed to. His efforts, along with his charm and the efficiency of his secret police, kept American journalists’ stories absolutely positive until the day he affiliated himself with Hitler’s Germany. Until that very day, American journalism and media had cast a remarkably positive and appraising light not only on Mussolini’s policies, but on his personal character as well. Until the tides of war changed America’s political standpoint, Mussolini was largely seen as an immensely positive leader from afar, even one in line with the great American heads of state.

The panelists being introduced by Stefano Albertini, from left to right Mauro Canali, Ruth Ben-Ghiat, Alexander Stille.

These discrepancies rise as well through Mauro Canali’s brilliant book, as they do through the charming conversation that unfolds on the main stage at Casa Italiana. Not only do they highlight the various policies and efforts an autocrat might undertake to maintain the press aligned with his desires, but rather they show an easily malleable depiction of the press. Canali’s exhaustive research, diving into first hand accounts and the newly public fascist archives paints a picture of an absolutely peculiar journalistic reality, the likes of which we wouldn’t expect in 2018. However, the present year has been riddled with political unrest and constant attacks towards the press, capitulated by Trump’s “war on fake news”, rendering the issue at hand ever more relevant. Understanding how the American rendition of a fascist symbol like Benito Mussolini has shifted through time forces us to tackle the current geo-political and journalistic climate from a much more historically aware perceptive standpoint. The insights the panel and Mauro’s book provide, then, allow us to dive deep into parallels between that world and today’s in a noble search for journalistic clarity and understanding.

Share on FacebookShare on Twitter
Angelo Pennati

Angelo Pennati

Di Milano, ma Milano Milano, vivo a New York. Laureato in Neuroscienze ed Economia alla NYU. Drogato di narrativa in casa, rispettoso lettore fuori. Terzinaccio smonta-caviglie sul campo, Milanista disperato in primo arancio. Scienziato pazzo in un laboratorio di parole. Transplanted from Milan’s heart to New York’s. NYU graduate in Neuroscience and Economics. Narrative druggy behind closed doors, respectful reader in public. Searching for science in words and for words in science.

DELLO STESSO AUTORE

Speaking the Language of Business: A New Degree at Montclair State Univ.

Speaking the Language of Business: A New Degree at Montclair State Univ.

byAngelo Pennati
Ciao Ciao HQ2: Amazon elimina i piani per il quartier generale di Long Island City

Ciao Ciao HQ2: Amazon elimina i piani per il quartier generale di Long Island City

byAngelo Pennati

A PROPOSITO DI...

Tags: american journalismBenito MussoliniFascismfascism in americafascismo americanofascismo in Americagiornalismo americanoitalian fascismjournalismLa Scoperta dell'ItaliaMauro CanaliMussolini
Previous Post

Staffan De Mistura, the soon-to-be Former “Mission-Impossible” Man in Syria

Next Post

Un noir dei tempi moderni apre la 13esima edizione della Festa del Cinema di Roma

DELLO STESSO AUTORE

Il vortice polare a New York: tutto fila liscio, ma che freddo!

Il vortice polare a New York: tutto fila liscio, ma che freddo!

byAngelo Pennati
La sicurezza ambientale al Consiglio di Sicurezza: un dibattito aperto per il 2019

La sicurezza ambientale al Consiglio di Sicurezza: un dibattito aperto per il 2019

byAngelo Pennati

Latest News

Pakistan, ‘nessuna de-escalation con l’India’

Pakistan, ‘nessuna de-escalation con l’India’

byAnsa
Houthi lanciano razzo verso aeroporto di Tel Aviv, intercettato

Houthi lanciano razzo verso aeroporto di Tel Aviv, intercettato

byAnsa

New York

“Trump Effect” Tanks Tourism in New York City: 400k Fewer Visitors in 2025

“Trump Effect” Tanks Tourism in New York City: 400k Fewer Visitors in 2025

byDaniele Di Bartolomei
Agenti USA / Ansa

Spara a un corriere di Door Dash: arrestato funzionario di New York

byGrazia Abbate

Italiany

Il Prosecco italiano conquista i cuori delle donne USA

Il Prosecco italiano conquista i cuori delle donne USA

byAndrea Zaghi
Da sinistra: Elvira Raviele (Ministero delle Imprese e del Made in Italy), Fabrizio Di Michele (Console Generale d’Italia a New York), Maurizio Marinella, Luigi Liberti (Direttore Patrimonio Italiano TV), Mariangela Zappia (Ambasciatrice italiana a Washington), e Diego Puricelli Guerra (Preside Istituto Bernini De Sanctis di Napoli)

Marinella a New York: l’eleganza del Made in Italy all’Istituto Italiano di Cultura

byMonica Straniero
Next Post
Un noir dei tempi moderni apre la 13esima edizione della Festa del Cinema di Roma

Un noir dei tempi moderni apre la 13esima edizione della Festa del Cinema di Roma

La Voce di New York

Editor in Chief:  Giampaolo Pioli   |   English Editor: Grace Russo Bullaro   |   Founded by Stefano Vaccara

Editor in Chief:  Giampaolo Pioli
—
English Editor: Grace Russo Bullaro
—
Founded by Stefano Vaccara

  • New York
    • Eventi a New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Voto Estero
    • Economia
    • First Amendment
  • People
    • Nuovo Mondo
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
    • Lingua Italiana
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
  • Travel
    • Italia
  • Mediterraneo
  • English
  • Search/Archive
  • About us
    • Editorial Staff
    • President
    • Administration
    • Advertising

VNY Media La Voce di New York © 2016 / 2025 — La testata fruisce dei contributi diretti editoria d.lgs. 70/2017
Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

VNY Media La Voce di New York © 2016 / 2025
La testata fruisce dei contributi diretti editoria d.lgs. 70/2017

Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
No Result
View All Result
  • Home
  • New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Economia
    • First Amendment
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
    • Cucina Italiana
  • Travel
    • Italia
  • Video
  • English
    • Arts
    • Business
    • Entertainment
    • Food & Wine
    • Letters
    • Lifestyles
    • Mediterranean
    • New York
    • News
  • Subscribe for only $6/Year

© 2016/2022 VNY Media La Voce di New York

Are you sure want to unlock this post?
Unlock left : 0
Are you sure want to cancel subscription?