Founded by Stefano Vaccara

Subscribe for only $6/Year
  • Login

Editor in Chief: Giampaolo Pioli

VNY La Voce di New York

The First Italian English Digital Daily in the US

English Editor: Grace Russo Bullaro

  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY
  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY La Voce di New York
No Result
View All Result
in
Lifestyles
September 8, 2023
in
Lifestyles
September 8, 2023
0

Eyeglasses: An Italian Product from Ancient Rome to Today

First documented in Venice, but Florence was the first city to mass-produce spectacles

Lucy GordanbyLucy Gordan
Eyeglasses: An Italian Product from Ancient Rome to Today

In 1252, Thomas of Modena, a follower of Giotto, painted the first bespectacled portrait, a fresco of Cardinal Hugh of Provence in the refectory of the Church of St. Nicholas in Treviso. It shows ogliarii, or two mounted lenses with their handles riveted together, fixed tightly on the bride of the cleric's nose. Wikipedia

Time: 3 mins read

Every morning millions of people reach for their eyeglasses even before getting out of bed.  With the world in focus, their day can begin. Nonetheless the history of eyeglasses remains blurry even if with a strong Italian connection from Ancient Rome to this day.

So, it’s no wonder a feature article, “The Power of Big Ideas” published in Newsweek on January 11, 1999, reported that reading glasses, Gutenberg’s printing press, and the atomic bomb, had changed the course of history more than all inventions during the last 2,000 years. Of course, that was before the internet.

Seneca, the Roman statesman, orator and tragedy writer (4 BC-65 AD), wrote that “thin, muddled writing looks larger and clearer through a glass bowl full of water”. The historian Pliny the Younger 62-113 AD) reported that the blue-eyed Emperor Nero watched games at the Circus Maximus through an emerald monocle.

A millennium later the British philosopher and scientist and Franciscan friar Roger Bacon (ca. 1214-94) in his Opus Majus asserted that segments of glass can enlarge the characters of writing, rendering them legible even for people with weak sight.  Although Bacon never traveled to Italy, to test his theory, he sent to Rome some magnifying lenses for reading to French-born Pope Clement IV (r. 1265-1268).

An early pair of eyeglasses (18th century) with sidearms. Courtesy of the Archivio Fotografico  of the Fondazione Museo dell’Occhiale Onlus

Perhaps because of this, Bacon is often considered the inventor of eyeglass lenses.  However, another contender is the Florentine naturalist and physicist Salvino D’Armati whose tombstone reads: “Here lies Salvino D’Armati of Florence, inventor of spectacles. May God pardon his sins, 1317 AD.” D’Armati had impaired his vision performing light-refraction experiments and sought a personal remedy. In 1280 he and Alessandro da Spina, a Dominican monk at the Convent of St. Catherine in Pisa, found a way to enlarge objects by using two pieces of glass having a specific thickness and curve.  A few years later da Spina supposedly invented eyeglass frames, although many scholars insist that eyeglasses originated in China and were brought back to Venice by Marco Polo.

Although we’ll never know for certain because he neglected to identify himself, another monk from Pisa named Giordano, who coined the word occhiali, may have been referring to da Spina, when he declared in a sermon he gave in 1306 at the church of Santa Maria Novella in Florence: “It’s not yet 20 years since the art of making spectacles, one of the most useful arts on earth, was discovered. I, myself have seen and conversed with the man who made them first.”

Photograph of the Frescura brothers. Angelo is bearded and seated. Leone is standing behind Angelo. The names of the other two brothers are not recorded. Courtesy of the Archivio Fotografico  of the Fondazione Museo dell’Occhiale Onlus

The earliest surviving documents about making eyeglass lenses were written in Venice in 1284, thus earlier than Giordano’s remarks, but they confirm the chronology. These regulations for the crystal workers guild state that lapides ad legendum, or magnifying glasses, must be made of rock crystal, not inexpensive glass.  Another document dated June 15, 1301 mentions vitreos ab oculis ad legendum, or reading glasses, for the first time.

Even if their earliest documents are Venetian, Florence was definitely the first city to mass-produce eyeglasses.  Documents reveal that between 1413 and 1562 there were 52 spectacle makers there and list the locations of their shops. Thus, even if we can’t put a face on the inventor, the first European eyeglass craftsmen lived in Tuscany and Venice, and, at least in Europe, eyeglasses were first used in Italy.

Like many medieval inventions, eyeglasses were first greeted with suspicion.  Dominican friars played a decisive role in their dissemination because so vital to their daily needs as scribes.  The Franciscan Order, already widespread throughout Europe, also made spectacles and disseminated the art outside Italy.  The earliest record of spectacle-making outside Italy is a Nuremberg town council decree passed in 1478.

Naturally, thanks to Gutenberg and his invention of the printing press, the translation and circulation of the Bible and of works by ancient Greek and Roman writers, and the foundation of numerous universities, the literacy rates rose steadily throughout Europe and greatly stimulated the demand for spectacles, although it remained the privilege of a few: mostly clerics and scholars.

The exterior of the Fondazione Museo dell’Occhiale Onlus today. Courtesy of the Archivio Fotografico  of the Fondazione Museo dell’Occhiale Onlus

In Italy artisans continued to make eyeglasses until Angelo and Leone Frescura and their partner, Giovanni Lozza opened their first factory in 1878 in Calalzo di Cadore, a remote mountain town in the Veneto not far from Belluno.  Still one of Italy’s most important industries, more than 80 percent of the eyeglasses manufactured in Italy continue to be made nearby, also meeting 69% of the European market.

To learn more about Italy’s historical connection to eyeglasses and other vision correctors, visit the Fondazione Museo dell’Occhiale Onlus with its 4,000 artifacts, Via Arsenale, 15, 32044 Pieve di Cadore, tel. 0435-500213.

Next door to the birthplace/now museum of the Renaissance painter Titian, you will find all types of eyewear on display on the first floor; on the second, a library and photographs, machinery and utensils illustrate their local manufacture.

           

Share on FacebookShare on Twitter
Lucy Gordan

Lucy Gordan

Former editor at the American Academy in Rome and at the UN's Food and Agriculture Organization, with journalistic accreditation in Italy and the Vatican, I’m culture editor of the US monthly Inside the Vatican; European Bureau chief of Epicurean-Traveler.com, and regular contributor to KMT: a Modern Journal of Ancient Egypt, German Life, and the Italian food and travel monthly La Madia Travelfood.

DELLO STESSO AUTORE

Confetti: Italy’s Special-Occasion Sugared Almond Delight

Confetti: Italy’s Special-Occasion Sugared Almond Delight

byLucy Gordan
Four New Pizza Books Hit the Store Shelves Hot Off the Press

Four New Pizza Books Hit the Store Shelves Hot Off the Press

byLucy Gordan

A PROPOSITO DI...

Tags: eyeglasseshistoryItalyRome
Previous Post

Emanoel Araújo Exhibit of Sculptural Work at Jack Shainman Gallery to Oct. 28

Next Post

“Peloton Bike Killed My Son”: Mother Files Lawsuit

DELLO STESSO AUTORE

Caravaggio’s Pictorial Autobiography on Exhibit at Rome’s Palazzo Barberini

Caravaggio’s Pictorial Autobiography on Exhibit at Rome’s Palazzo Barberini

byLucy Gordan
At Rome’s Santa Maria Maggiore: A New Must For 2025’s Jubilee Pilgrims

At Rome’s Santa Maria Maggiore: A New Must For 2025’s Jubilee Pilgrims

byLucy Gordan

Latest News

Tre visioni d’Italia sulla copertina del New Yorker: Venezia secondo Charles Saxon (1966), la guerra nei vicoli italiani illustrata da Alan Dunn (1944) e la moda reinterpretata da Lorenzo Mattotti (1993). Foto: Terry W. Sanders, 2025

L’immaginario italiano in cento anni di New Yorker

byMonica Straniero
La Cina e gli Stati Uniti concordano di abbassare le tariffe per ridurre le tensioni

La Cina e gli Stati Uniti concordano di abbassare le tariffe per ridurre le tensioni

byUmberto Bonetti

New York

Gwyneth Paltrow firma a NY The Forest Within, un viaggio nella natura coreana

Gwyneth Paltrow firma a NY The Forest Within, un viaggio nella natura coreana

byZoe Andreoli
Sean Combs / Ansa

Al via il processo contro Diddy Combs, la difesa: “Sono solo violenze domestiche”

byFederica Farina

Italiany

Il Prosecco italiano conquista i cuori delle donne USA

Il Prosecco italiano conquista i cuori delle donne USA

byAndrea Zaghi
Da sinistra: Elvira Raviele (Ministero delle Imprese e del Made in Italy), Fabrizio Di Michele (Console Generale d’Italia a New York), Maurizio Marinella, Luigi Liberti (Direttore Patrimonio Italiano TV), Mariangela Zappia (Ambasciatrice italiana a Washington), e Diego Puricelli Guerra (Preside Istituto Bernini De Sanctis di Napoli)

Marinella a New York: l’eleganza del Made in Italy all’Istituto Italiano di Cultura

byMonica Straniero
Next Post
“Peloton Bike Killed My Son”: Mother Files Lawsuit

"Peloton Bike Killed My Son": Mother Files Lawsuit

La Voce di New York

Editor in Chief:  Giampaolo Pioli   |   English Editor: Grace Russo Bullaro   |   Founded by Stefano Vaccara

Editor in Chief:  Giampaolo Pioli
—
English Editor: Grace Russo Bullaro
—
Founded by Stefano Vaccara

  • New York
    • Eventi a New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Voto Estero
    • Economia
    • First Amendment
  • People
    • Nuovo Mondo
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
    • Lingua Italiana
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
  • Travel
    • Italia
  • Mediterraneo
  • English
  • Search/Archive
  • About us
    • Editorial Staff
    • President
    • Administration
    • Advertising

VNY Media La Voce di New York © 2016 / 2025 — La testata fruisce dei contributi diretti editoria d.lgs. 70/2017
Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

VNY Media La Voce di New York © 2016 / 2025
La testata fruisce dei contributi diretti editoria d.lgs. 70/2017

Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
No Result
View All Result
  • Home
  • New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Economia
    • First Amendment
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
    • Cucina Italiana
  • Travel
    • Italia
  • Video
  • English
    • Arts
    • Business
    • Entertainment
    • Food & Wine
    • Letters
    • Lifestyles
    • Mediterranean
    • New York
    • News
  • Subscribe for only $6/Year

© 2016/2022 VNY Media La Voce di New York

Are you sure want to unlock this post?
Unlock left : 0
Are you sure want to cancel subscription?