Founded by Stefano Vaccara

Subscribe for only $6/Year
  • Login

Editor in Chief: Giampaolo Pioli

VNY La Voce di New York

The First Italian English Digital Daily in the US

English Editor: Grace Russo Bullaro

  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY
  • English Edition
  • Letters
  • New York
  • U.N.
  • News
  • People
  • Entertainment
  • Arts
  • Lifestyles
  • Food & Wine
  • Travel
  • Sports
  • Italian Edition
No Result
View All Result
VNY La Voce di New York
No Result
View All Result
in
Arts
February 13, 2024
in
Arts
February 13, 2024
0

Salvatore Scarpitta, “Monument Man”: His Daughter Recalls his Exploits in WWII

He was devastated by the destruction the Germans brought on its Italian cultural patrimony

Charles Vincent Sabba JrbyCharles Vincent Sabba Jr
Salvatore Scarpitta, “Monument Man”: His Daughter Recalls his Exploits in WWII

The artists of Leo Castelli Gallery. Sal is in last row, third from right. The young Andy Warhol, visiting, is in the lower left corner. All photos courtesy of Lola Scarpitta).

Time: 3 mins read

During WWII, a specialized unit was formed that was made up of both American and British  personnel that was called the Monuments, Fine Arts, and Archives unit (MFAA). This unit is better known today as the Monuments Men, as made famous by the 2014 film directed and produced by George Clooney. The MFAA was made up largely of civilian men and women, with a few enlisted men, who were artists, art historians, archeologists, architects and archivists. Their mission was to safeguard cultural heritage in the war theater. They recovered millions of artworks that were looted by the Nazis and assisted the Italians in reconstructing many architectural wonders that were damaged by the bombing such as churches and bridges (they helped to start repairs on over 700 buildings of historical importance).

One of the enlisted men that was assigned to the MFAA was Salvatore Scarpitta, a renowned artist who after the war, exhibited at the eminent Tartaruga Gallery in Rome, had ten one-man exhibits at the Leo Castelli Gallery in New York, exhibited in numerous Venice Biennales and has work in the permanent collection of the Modern Museum of Art in New York, to name only a few of his artistic achievements of his lifetime. Scarpitta was a U.S. Navy sailor assigned to the MFAA and he and all the other art experts in the unit were awarded the Congressional Gold Medal for their service.

Salvatore Scarpitta in uniform (on right facing camera).

Scarpitta was born into a family of creatives. His father was a sculptor who was born in Palermo and did major commissions in the Los Angeles area and his mother was an actress.  Salvatore traveled to Sicily at age seventeen to study at the Architectural School of Palermo. He then attended the Royal Academy of Art in Rome and completed his studies there in 1940. At this time, his parents were staying in Sicily while his father was completing commissions there. In June 1940, Italy declared war on Britain and France, and they were unable to leave Italy. The Scarpitta family made its way up to Scanno, Abruzzo where they all actively participated in the resistance, which was responsible for sneaking hundreds of allied military personnel across enemy lines to safety.

At one point, Salvatore was arrested in Rome and was placed under surveillance by the fascist government. He fled to the mountains where he joined up with a group of Italian partisans and eventually, he made his way to south Italy, where he joined the U.S. Navy. He met the director of the MFAA Subcommission, Lt. Col. Ernest DeWald, who inducted him into the Monuments Men Unit.

I spoke to Scarpitta’s daughter, Lola Scarpitta (the third generation of artists in this line of creative greats) and she recounted some of Salvatore’s duties in the Monuments Men Unit: “My father’s first duties were to document architectural structures such as churches and bridges and prevent damage from the bombing. They worked from Rome to Monte Cassino and travelled south. Later, he and his colleagues were sent to Tuscany where he was tasked at documenting thousands of artworks that the Nazis hid in depositories, salt mines and everywhere they had their little caches. They used him for everything, and it was very tiring work. Some of the depositories were very humid, and the conditions were terrible for storing artworks, but the Nazis didn’t care. They assumed they would have a certain amount of loss.”

Lola Scarpitta

“My father was devastated by seeing so many beautiful ancient churches brought to rubble. The Abbey of Montecassino devastated him the most. This is somebody who went through a war and saw many people die. Later in life, as an artist, he was very antiwar. He saw the destruction of civilization in people, buildings, and art.”

“My family was hardwired for art DNA wise. After the war, my father remained in Italy as an artist until 1958. He was very well received by Italians in the artworld. He was friends with many great Italian artists like Mario Maffai and Renato Guttuso. He shared a studio with Cy Twombly in Rome. The great gallerist Leo Castelli, along with Frederick Keisler and Willem De Kooning, convinced my father to join Castelli’s New York artist stable and he moved to New York and Twombly took over the studio in Rome.  De Kooning was one of my father’s best friends. Guys like Twombly, De Kooning, my father and many others were the innovators of modern art.”

It is a well-used nomination that the WWII generation was the “Greatest Generation,” a nomination I would vehemently argue is true. As with all great epochs in which large numbers of extraordinary people lived, there were always a handful that were so special they stood out. Salvatore Scarpitta was one of the greatest of the greatest generation!

Share on FacebookShare on Twitter
Charles Vincent Sabba Jr

Charles Vincent Sabba Jr

Charles Vincent Sabba, a retired police captain, is an artist and artistic patrimony resource person who writes on the the subjects of cultural patrimony protection, art theft, and criminality in the art markets.

DELLO STESSO AUTORE

Violent Criminal Raid at the Drents Museum of Assen in The Netherlands

Violent Criminal Raid at the Drents Museum of Assen in The Netherlands

byCharles Vincent Sabba Jr
Edoardo Almagià, the History of a Master Antiquities Fraudster–Finally Caught

Edoardo Almagià, the History of a Master Antiquities Fraudster–Finally Caught

byCharles Vincent Sabba Jr

A PROPOSITO DI...

Tags: Monument MenSalvatore ScarpittaWWII
Previous Post

38enne trovata morta in un hotel di SoHo: la polizia indaga per omicidio

Next Post

F1: ecco nuova SF-24, Ferrari con bande bianche e gialle

DELLO STESSO AUTORE

The Getty’s Rapacious Acquisition Practices and the Lysippo Ongoing Controversy

The Getty’s Rapacious Acquisition Practices and the Lysippo Ongoing Controversy

byCharles Vincent Sabba Jr
UN’s Exhibit on Italian Navy’s Commitment to the Ocean Meets with Great Success

UN’s Exhibit on Italian Navy’s Commitment to the Ocean Meets with Great Success

byCharles Vincent Sabba Jr

Latest News

Zelensky, domani team ucraino a Istanbul, guiderà Umerov

Zelensky, domani team ucraino a Istanbul, guiderà Umerov

byAnsa
Media, ‘Hamas nega aver rifiutato proposta tregua Witkoff’

Media, ‘Hamas nega aver rifiutato proposta tregua Witkoff’

byAnsa

New York

Ritorna il Covid? La curva sale: serve un ultimo sforzo per uscire dal tunnel

New COVID Variant Detected in NYC Amid Concerns Over Vaccine Access

byAmelia Tricante
Travolti nel sonno da un camion dei rifiuti: un morto e un ferito a Long Island

Travolti nel sonno da un camion dei rifiuti: un morto e un ferito a Long Island

byCristiano Palladino

Italiany

Italy on Madison, la facciata della sede dell’Italian Trade Agency trasformata per tre giorni in una casa italiana.

Erica Di Giovancarlo (ITA): “Italian lifestyle è un modo di vivere”

byMonica Straniero
Il Prosecco italiano conquista i cuori delle donne USA

Il Prosecco italiano conquista i cuori delle donne USA

byAndrea Zaghi
Next Post
F1: ecco nuova SF-24, Ferrari con bande bianche e gialle

F1: ecco nuova SF-24, Ferrari con bande bianche e gialle

La Voce di New York

Editor in Chief:  Giampaolo Pioli   |   English Editor: Grace Russo Bullaro   |   Founded by Stefano Vaccara

Editor in Chief:  Giampaolo Pioli
—
English Editor: Grace Russo Bullaro
—
Founded by Stefano Vaccara

  • New York
    • Eventi a New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Voto Estero
    • Economia
    • First Amendment
  • People
    • Nuovo Mondo
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
    • Lingua Italiana
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
  • Travel
    • Italia
  • Mediterraneo
  • English
  • Search/Archive
  • About us
    • Editorial Staff
    • President
    • Administration
    • Advertising

VNY Media La Voce di New York © 2016 / 2025 — La testata fruisce dei contributi diretti editoria d.lgs. 70/2017
Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

VNY Media La Voce di New York © 2016 / 2025
La testata fruisce dei contributi diretti editoria d.lgs. 70/2017

Main Office: 230 Park Avenue, 21floor, New York, NY 10169 | Editorial Office/Redazione: UN Secretariat Building, International Press Corps S-301, New York, NY 10017 | 112 East 71, Street Suite 1A, New York, NY 10021

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
La Voce di New York
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza preferenze
{title} {title} {title}
No Result
View All Result
  • Home
  • New York
  • Onu
  • News
    • Primo Piano
    • Politica
    • Economia
    • First Amendment
  • Arts
    • Arte e Design
    • Spettacolo
    • Musica
    • Libri
  • Lifestyles
    • Fashion
    • Scienza e Salute
    • Sport
    • Religioni
  • Food & Wine
    • Cucina Italiana
  • Travel
    • Italia
  • Video
  • English
    • Arts
    • Business
    • Entertainment
    • Food & Wine
    • Letters
    • Lifestyles
    • Mediterranean
    • New York
    • News
  • Subscribe for only $6/Year

© 2016/2022 VNY Media La Voce di New York

Are you sure want to unlock this post?
Unlock left : 0
Are you sure want to cancel subscription?